NOVEMBER EDITION (Slightly Late)
Thanks for the series on settings. I’m still studying. My southern novels seem to turn some readers off. Is there any answer for that?
thank you nancy. let me think on this one... more soon (i hope)
Hi Junot! Thanks for reading this. Love your Setting series 🙏🏾 this is kind of a two pronged question …
Q: How do you handle when your sentences are coming out dry? Like ways to pull up the guts of what you’re trying say, then say it like a poets arrow?
Q: Any advice on trying to nail what’s missing from something you’ve written, so you can fill it with something interesting?
(Context I write folk music atm I’m trying to lift a few flat sentences. I want to spark imagination, not Zzzs)
Hope this makes sense 🙏🏾
Thanks for the series on settings. I’m still studying. My southern novels seem to turn some readers off. Is there any answer for that?
thank you nancy. let me think on this one... more soon (i hope)
Hi Junot! Thanks for reading this. Love your Setting series 🙏🏾 this is kind of a two pronged question …
Q: How do you handle when your sentences are coming out dry? Like ways to pull up the guts of what you’re trying say, then say it like a poets arrow?
Q: Any advice on trying to nail what’s missing from something you’ve written, so you can fill it with something interesting?
(Context I write folk music atm I’m trying to lift a few flat sentences. I want to spark imagination, not Zzzs)
Hope this makes sense 🙏🏾